Thursday, April 17, 2014

Christ's life of poverty

"IT was fitting for Christ to lead a life of poverty in this world. First, because this was in keeping with the duty of preaching, for which purpose He says that He came (Mk 1:38): "Let us go into the neighboring towns and cities, that I may preach there also: for to this purpose am I come." Now in order that the preachers of God's word may be able to give all their time to preaching, they must be wholly free from care of worldly matters: which is impossible for those who are possessed of wealth. Wherefore the Lord Himself, when sending the apostles to preach, said to them (Mt 10:9): "Do not possess gold nor silver." And the apostles (Acts 6:2) say: "It is not reasonable that we should leave the word of God and serve tables."

"Secondly, because just as He took upon Himself the death of the body in order to bestow spiritual life on us, so did He bear bodily poverty, in order to enrich us spiritually, according to 2 Corinthians 8:9: "You know the grace of our Lord Jesus Christ: that . . . He became poor for our sakes that through His poverty we might be rich."

"Thirdly, lest if He were rich His preaching might be ascribed to cupidity. Wherefore Jerome says on Matthew 10:9, that if the disciples had been possessed of wealth, "they had seemed to preach for gain, not for the salvation of mankind." And the same reason applies to Christ.

"Fourthly, that the more lowly He seemed by reason of His poverty, the greater might the power of His Godhead be shown to be. Hence in a sermon of the Council of Ephesus (P. iii, c. ix) we read: "He chose all that was poor and despicable, all that was of small account and hidden from the majority, that we might recognize His Godhead to have transformed the terrestrial sphere. For this reason did He choose a poor maid for His Mother, a poorer birthplace; for this reason did He live in want. Learn this from the manger." "

~St. Thomas Aquinas: Summa Theologiae, III, q. 40, a. 3. 


 Scenes from the Life of Christ, by Fra Angelico.
Tempera on panel, 1451-52; Museo di San Marco, Florence.

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